Intro to Chan Buddhism in Singapore: Where to Learn and Practise

Intro to Chan Buddhism in Singapore: Where to Learn and Practise

Tl;DR : Nigel reflects on his understanding of Chan Buddhism, its skillful practices and where to learn the ropes. This article is intended as a springboard for interested readers to dive deeper into the Zen Buddhism practice.

Encountering Chan Buddhism in Singapore

When the student is ready, the teacher appears. That was truly my experience of encountering Chan Buddhism, otherwise referred to as Zen Buddhism. This student-teacher encounter happened over a spontaneous meeting a few years ago and sparked what seems like a lifelong love affair with the Dhamma.

To practice and understand the Dhamma is a rare and precious thing.

Few people in the world are presented with this opportunity.

Most people are circling around, driven by ignorance and desire, unaware of the possibility of getting off this wheel of samsara, the wheel of greed and hatred.

Excerpt from Settling Back Into The Moment (Joseph Goldstein, American writer and co-founder of Insight Meditation Society with Jack Kornfield)

I consider myself as having drifted from Chan practice since that encounter. Recently, I’ve spent more time reading early Buddhist texts and practising in the Thai Forest tradition. Nevertheless, Chan teachings continue to provide me with a strong grounding in daily practice and in the understanding of dharma.

Let’s talk about what could be useful to your journey. In this article, I hope to share an introduction to Chan Buddhism and Zen Buddhism in Singapore, based on whatever limited exposure I’ve had to the organisations and teachers that I’ve encountered to date. I’ll write on what I’ve found unique in Chan Buddhist and Zen Buddhist practices since this is possibly beneficial to any Dharma practitioner, or anyone interested in Dharma. This article will also point towards communities, activities based in Singapore, teachers, and resources you could tap into to begin your own Chan Buddhist or Zen Buddhist journey.

May this article be a fruitful encounter with Chan Buddhism for you.

What is Chan Buddhism?

This is a huge and important question, one that I’m unfortunately not qualified to answer. But I’ll share what I might know!

The literal answer is that (禅) Chán is simply the Chinese form of Zen Buddhism. Rooted in the teachings of Bodhidharma, often regarded as the first Chinese patriarch for transmitting Chan Buddhism to China, Chan Buddhism emphasizes meditation (禅修) and direct insight over ritual and scripture.

At its heart, Chan Buddhism invites practitioners to be aware and actively engage in the present moments of daily life. The goal, according to Master Sheng Yen’s The Effect of Chan Meditation, is to live life with wisdom and compassion. Meditation is the main focus towards achieving this goal.

On the historical and conceptual level, this is possibly too wide a topic to cover. To properly place Chan Buddhism in history and in practice, I’d like to refer you to Orthodox Chinese Buddhism, a work of Chan Master Sheng Yen (圣严法师). For the diligent student, you may want to read at least the following chapters:

  • 4.4 Can One Become a Buddha Instantaneously? (pg 100)
  • 4.9 How Many Schools of Buddhism Are There? (pg 115)
  • 4.12 What Are the Sudden and Gradual Approaches to Enlightenment? (pg 124)

The volume is an incredible reflection of Master Sheng Yen’s scholarly understanding and spiritual realisation.

For the purpose of this article, it’s probably sufficient to understand Chan as Zen, and Zen as Chan. I personally use ‘Chan Buddhism’ to refer to the more distinctly Chinese traditions of Zen present in Singapore, such as Dharma Drum Mountain and Wisdom Light Meditation; whereas I tend to use  ‘Zen Buddhism’ to refer to the other non-Chinese traditions of Zen which I’ve encountered in Singapore, such as Joyful Garden Sangha (local chapter of the Plum Village tradition) and Kwan Yin Chan Lin (local chapter of Korean Zen Master Seung Sahn’s tradition)

As you can see, it’s a very arbitrary distinction that I’m making between Chan and Zen Buddhism in this case. I will be introducing both in broad strokes throughout this article, hopefully with no offence to anyone.

Temples and communities offering Chan Buddhist / Zen Buddhist practice in Singapore

In my opinion, the best way to understand Buddhism is to practice and experience it for yourself. It’s easy to have preconceptions about certain practices and traditions, not least because assumptions require no effort. Unfortunately, it’s possibly also costly (in terms of one’s time and energy) to have misconceptions, because you could be denying yourself some real insight. All this probably holds true for Chan practice too. Ehipassiko!

Dharma Drum Mountain Singapore

Source: Dharma Drum Mountain Singapore FB page

Dharma Drum Mountain was a place of Chan cultivation founded by Master Sheng Yen in Taiwan, and they have a local chapter in Singapore. If the Chinese language is no barrier to you, and you’d like to understand Chan practice, I highly recommend the introductory dharma course at Dharma Drum Mountain Singapore 法鼓山新加坡护法会 entitled “快乐学佛人” or Joyful Dharma Practitioner. The course syllabus is insightful and engaging. It introduces useful concepts that can be directly applied to daily living, and illuminates your understanding of dharma. 

If Mandarin Chinese is not your strongest suit, Dharma Drum Mountain has also introduced English study groups in recent years, including one based in the Asia Pacific (APAC) region. With over 200 chapters internationally, you will not have to worry about being able to find a community or access to Master Sheng Yen’s teachings and instructions. More about Master Sheng Yen’s life story can be accessed here: Youtube video.

Wisdom Light Meditation Society

Source: Wisdom Light Meditation Society FB page

Another community that could help you to progress in Chan Buddhist practice and understanding is Wisdom Light Meditation Society 慧灯静修会. Founded by Master Ji Cheng 继程法师, a contemporary of Master Sheng Yen, this is a rare opportunity to receive instructions from a living Chan master and his disciples. Similar to Dharma Drum Mountain Singapore, Wisdom Light Meditation Society organises regular meditation classes, meditation retreats, and has even introduced English meditation instruction in recent years.

Joyful Garden Sangha

Source: Joyful Garden Sangha FB page

Joyful Garden Sangha is the local chapter of the Plum Village tradition of Thich Nhat Hanh. The community and practice has been described by some as “second to none” in terms of inclusivity for practitioners of all races, backgrounds, spiritual traditions, sexualities (yes they are LGBTQIA+ friendly) and nationalities. The fact that this local chapter is led by a skilful and committed lay sangha (non-monastics) also speaks to the strength of its members’ conviction regarding each person’s potential to be liberated from their suffering.

Joyful Garden Sangha organises once-a-month day retreats called Day of Mindfulness (DOM) on the last Sunday of each month. Beginners are encouraged to attend DOM in order to understand Plum Village practices. Subsequently, one can join Joyful Garden Sangha’s regular practice sessions on Monday and Thursday nights too.

Kwan Yin Chan Lin

Source: Kwan Yin Chan Lin FB page

Kwan Yin Chan Lin, founded by Master Chi Boon in 1991, teaches based on the lineage of the late Zen Master Seung Sahn. I understand their meditation practice to be koan-based, but I haven’t attended their meditation course. What I’ve really enjoyed thus far from this lineage of Zen Buddhism, are the talks on Musangsa channel. Seung Sahn International Zen Center Musangsa provides Zen training following the teachings of Zen master Seung Sahn. Their teachers also visit Singapore from time to time. One such example was Master Dae Bong’s visit during Vesak in 2024!

The titles of Musangsa teachings are almost like Zen koans in themselves, for example: What is Your Correct Situation? and Don’t Know What the Result Will Be. They really help me to access the beginner’s mind (初心) whenever that gets rusty, and I start getting into meditation sits with some kind of pompous ‘been there done that’ attitude. I can imagine Master Dae Bong or Master Seung Sahn saying “We’ll have none of that”, or “Hah!” (an explosive martial art-type sound used in Zen practice grounds such as Musangsa). These are very good reminders to stay humble, if ever one were needed.

Skillful practices which I’ve encountered in Chan/Zen Buddhist traditions so far

1)Tuning the body

During the introductory course at Dharma Drum Mountain Singapore, I got to experience their Eight Form Moving Meditation. Unlike practising in the Theravada tradition where some beginners might go into meditative postures (e.g. ‘just sit’) without detailed preparatory steps, Dharma Drum prescribes specific movements to help tune the body, in order to prepare for longer periods of sitting meditation. 

Later on, I came to appreciate that such a practice of ‘tuning’ or ‘becoming aware of the body’ is fundamental to how a meditator moves through everyday life, and it is not just a practice confined to formal sits. How apt in that case, that Dharma Drum emphasises body awareness. One could probably draw parallels between the Chan Buddhist emphasis on body awareness, and the practice of Kayanupassana (Pali for ‘body contemplation’) for the Theravadins.

If you’d like to learn such a technique, be sure to attend Dharma Drum Singapore’s Meditation Classes. They are often oversubscribed, and a seat has to be booked in advance via EventBrite.

2)Moment-to-moment awareness

At Joyful Garden Sangha, every moment we experience could be an object of meditation. When we listen, we practise deep listening. When we lie down to rest, we are also paying mindful attention to the body relaxing and the breath. When helping to clean the Sangha home or to prepare it for practice, that gesture is service meditation. 

Within just one Day of Mindfulness practice, I was introduced to all of these types of meditations and more. The emphasis on moment-to-moment awareness in the Zen practice of the Plum Village tradition has powerfully prepared me for the Buddha’s teaching on heedfulness, and facing the danger in heedlessness. As they would also say at Dharma Drum – where the body goes, the heart-mind goes (身到哪里,心到哪里).  I felt wonderful to be surrounded by like-minded people practising joyfully and with contentment.

3)Meditation objects: Alternatives to breath meditation

Through Chan and Zen traditions, I also learnt that there exist meditation objects other than breath. Even while Annapannasati or ‘mindfulness of breathing’ remains highly recommended wherever I go, certain practitioners may find Kōans helpful, and some others prefer recitation of the Buddha’s name (nìanfó 念佛) as meditation objects that are beneficial to their practice. We each have such diverse dispositions towards what calms our minds after all. 

In fact, when we recite ‘Buddho’ in the Luang Por Chah tradition of Thai Forest Buddhism, I find this quite similar to the recitation of the Buddha’s name. Of course, there may be a difference between the aspirations of practitioners from different traditions. Regardless of Buddhahood, or Arhatship, or Bodhisattva vows, when you’re just getting started, meditation is just meditation!

If you’d like to experience Kōan meditation you might want to check out the meditation courses at Kwan Yin Chan Lin. Kōans are “a seemingly paradoxical or enigmatic statement, question, or story used as a tool for meditation and contemplation in Chan and Zen Buddhism”, according to The Lion’s Roar. I have yet to pick up kōans as a meditation object myself, so I’m not able to share much more.

4)Social service and community work

As I’ve mentioned earlier regarding service meditation, I find social service and community work to be quite consistently a part of Chan or Zen Buddhism. 

Perhaps, because these traditions belong to the Mahayana lineages whereby helping others and liberating other sentient beings (in addition to seeking one’s own liberation) is an important part of practice. That is not to say that Theravadins only fold their legs and sit quietly. Theravada teachings also emphasise the importance of cultivating the Ten Paramī, of which Dana-parami (generosity) is the first. Thai Forest Tradition teachers condense the basis of Buddhist practice as dana, sila, bhavana (generosity, morality and mental cultivation). 

The topic of generosity is something for us to ponder at some point as a journey along the path of Dharma – our relationship to others, our relationship to society, our relationship to ‘Nibbana’, and what the concept of ‘service’ means amongst all of that. When we volunteer, is it really Me that is helping the Others? Or is it the case that I am getting a chance to learn generosity and build other spiritual virtues (or paramī)? Each of us will need to find our own answers.

The further I journey along the Theravadin path, the more I understand that social service and community work could also be seen as skilful means of “Emptying out the self,” which resonates deeply with the Chan insight of 無 (wú, nothingness). “Empty out yourself” is a point that my teacher, Luang Por Ganha constantly emphasises. 

One of the first teachings I received from Luang Por Ganha was that “Work is happiness, happiness is work”. Just as we go to work in order to contribute to society and volunteer in order to build our skills and paramī, I believe that Chan or Zen practitioners are also leveraging social service as a practice ground for the ultimate realisation of No Self (or Anatta). If we go into these practice grounds desiring anything else other than Giving (such as wanting to get praise, or a high salary, or to win status), Luang Por Ganha cautions that we can only expect mental health problems.

With that, I’m now empty of tips and references related to Chan or Zen Buddhism. Please reach out to correct me if any of this seems erroneous or if you’d like to comment on any of these reflections. I hope this article was of some help to you!


Thanks to Loh Wei from Dharma Drum Mountain Singapore for proofreading and contributions, and countless other noble friends and noble teachers that have guided and continue to guide me in the Noble Eightfold path. May any merits accrued benefit these kalyanamittas, my teachers (lay and sangha), my loved ones, and all sentient beings connected with me in one way or another.
To explore other events, activities, communities and temples in Singapore and Southeast Asia, you can also look up our very own Handful of Leaves’ Buddhist Directory!

Ep 54: Chords of Connection: Music, Mindfulness and Friendship ft. Plum Village 

Ep 54: Chords of Connection: Music, Mindfulness and Friendship ft. Plum Village 


Summary

This Handful of Leaves episode features Brother Duc Pho, a monastic from Plum Village, discussing the integration of music with mindfulness practice. It explores how music can be a tool to cultivate awareness, embrace emotions, and transform suffering. Brother Duc Pho shares personal insights, such as using mindful songs to calm the mind and the balance between engaging with music and maintaining spiritual discipline. The conversation emphasises joy, community, and intentionality in practice, highlighting the role of music in enhancing both personal growth and collective harmony.


About the Speaker

Brother Đức Phổ (徳普), born in the Netherlands in 1985, first got in contact with Buddhism while traveling in South-East Asia. Later he found a practical and applied form of Buddhism in Plum Village France and has been practicing and building sangha as a lay practitioner in this tradition since 2010 and continues to do so since being ordained as a monastic under Zen Master Thich Nhat Hanh in 2016. He currently practices with the monastic sangha of Thai Plum Village International Meditation Practice Center in Pak Chong, Thailand.

Brother Duc Pho enjoys sitting meditation and slow walking outside in nature, drinking tea in mindfulness, playing music and offering his presence as an authentic human being and practitioner with people of all ages including young people and children.


Key Takeaways

Mindful Use of Music

Music, when chosen with intention and mindfulness, can support emotional healing, strengthen awareness, and enhance concentration. However, it can also distract or intensify negative emotions if not used carefully.

Interconnectedness through Music

Singing or playing mindful music helps bring people together, fostering harmony and shared energy within communities.

Balancing Joy and Practice

While mindfulness practice often focuses on transforming suffering, it’s essential to cultivate joy to sustain the effort. Music can be a source of joy, grounding practitioners in the present moment and nurturing their journey.


Transcript

Full transcript

[00:00:00] Brother Duc Pho: The mind is a clear blue sky. Thoughts come, thoughts go. Mind is a clear blue sky.

[00:00:11] Jia Yi: Hello and welcome to the Handful of Leaves podcast where we bring you practical wisdom for a happier life. I’m Jia Yi and I’ll be the guest host for today’s episode. At the time of this recording, Plum Village Sangha has stopped by Singapore for our music tour themed ‘Sound of the Rising Tide’, using music to remind us of our interconnectedness and to embrace joy and pain.

[00:00:34] Jia Yi: That will be the theme for today’s episode. Today we are very fortunate to have Brother Duc Pho with us. Brother Duc Pho was born in the Netherlands in 1985 and first got in contact with Buddhism while travelling in Southeast Asia. He currently practices with the monastic Sangha of Thai Plum Village International Meditation Practice Centre in Pak Chong, Thailand. Thank you for being with us on this episode.

[00:00:58] Brother Duc Pho: Thank you so much for having me, inviting me.

[00:01:00] Jia Yi: So, first question will be a very fun question. If you were to pick a song or music instrument to best describe you, what would it be?

[00:01:10] Brother Duc Pho: The mind is a clear blue sky. The mind is a clear blue sky. Thoughts come, thoughts go. Mind is a clear blue sky. And the song continues including feelings come and go. So I think as practitioners of meditation, I try to let go about the story about myself and not get too caught up in my own story and my own identity. So this is a song that reminds me that who I am is changing every moment.

[00:01:46] Brother Duc Pho: In terms of instruments, like guitar is the instrument I’ve been playing most of my life, I cannot say I am a guitar. Maybe there are some days I am a small ukulele, some days I am a big double bass, and some moments I will be in tune, some moments I will be out of tune. Sometimes I might forget that, so this song is a reminder to look at the changing nature of myself.

[00:02:07] Jia Yi: Plum Village has taken the unique approach of using mindfulness as a mindfulness tool to help anyone apply the teachings in daily life. Could you share with me your personal journey on how music has integrated into your mindfulness practice?

[00:02:23] Brother Duc Pho: One thing we use in our mindfulness practice is poems we call gathas. They go with certain daily action or with breathing, help us guide our breathing. And many of those have been set to music and they can come from village songs. They’re very simple, like children’s songs, easy to stick into your mind.

[00:02:45] Brother Duc Pho: So there is a song, ‘In, Out, Deep, Slow, Calm, Ease, Smile, Release.’ It’s something I use, in the evening when I go to bed, when I go to sleep. I will silently recite that song to myself and breathe with it. If I don’t do that, I might have a lot of thinking over and over the day, what did I do well, or what’s going to happen.

[00:03:11] Jia Yi: Has it ever happened where, even in the mindful music that you listen to, has it become an obstacle?

[00:03:18] Brother Duc Pho: With this kind of music, I don’t mind. If my mind is not popping up in music, it will pop up with some thoughts, some worry or some feeling. And my practice is just to look at it and see it as it is.

[00:03:32] Brother Duc Pho: And if I feel there’s something there, I try to look up, where has it come from? Why in this moment? What is something I saw, heard or smelled or sensed that brings up this memory from my consciousness? So I will learn something, and then, you know, we have the meditation practice, like following our breathing to quiet down our mind.

[00:03:54] Brother Duc Pho: So yeah, I’m not bothered by this. If it’s a happy song, a mindful song that comes up, I’m happy for it to be there. If you cling on to it, it will also pass away.

[00:04:05] Jia Yi: Then when might music become an obstacle for our mindfulness or concentration?

[00:04:11] Brother Duc Pho: I think music can take us in many different directions. In our minds, we all have good seeds; we have wholesome seeds and unwholesome seeds. Outside of the monastery, outside of spiritual practice, people say music is a way to express myself. But as practitioner, we have to be really aware of what we expressing and what are we taking in.

[00:04:34] Brother Duc Pho: Sometimes we have negative feelings, negative thoughts, and we use music, either we play it or we listen to it. We just make that feeling stronger, and it’s not taking us in a wholesome direction. For sure, many of them are good people, but they also have suffering and desire, like we all have. This can bring up emotions of anger, confusion or desire. So for sure, that’s an obstacle to our concentration and meditation. We can use it as a way to cover up, like we feel lonely or down. And we put on music because we don’t want to be with that feeling, but in fact, the feeling will just get stronger.

[00:05:11] Brother Duc Pho: So what we try with mindfulness is that we choose the kind of music and the lyrics that will water the good seeds in us. That will strengthen our awareness, our stability, and help us not run away from our emotions, but to be with them and embrace them. Look deeply at what’s the cause. In that way, it can contribute to our awareness, concentration.

[00:05:36] Brother Duc Pho: I think it’s two aspects: what we choose to listen to? What do we choose to play? And then the other is what the intention and awareness we bring to the actual playing and listening. Even though I’m a monk practicing daily, there might still be moments where I pick up a guitar just to distract myself. But as a monastic, I don’t want to live like that. I want to have a more mindful and awakened life. So I choose properly when I want to play what I want.

[00:06:04] Jia Yi: Some lay practitioners wish to deepen their practice by observing the eight precepts. One of the precepts state to refrain from entertainment, which includes dancing, singing and playing music. So will playing music be at odds with their practice?

[00:06:20] Brother Duc Pho: I think in Buddhism, we are very lucky to have a variety of traditions and practices. When we take the eight precepts, for monastics, we’ll cut off all music that is not chanting. I can really understand and respect that choice and practice. The Plum Village tradition, we have a precept about not listening or playing love songs or music that water negative emotions in us. And I think to me, this is quite in spirit of Mahayana Buddhism, which has been to different places and cultures over time. Some current Mahayana chanting, now very traditional, was actually at the time Sutras and Buddhist prayers turned to the music of the day.

[00:07:11] Brother Duc Pho: Applying different forms of music to Buddhism and to meditation practice have been happening all the time. For some people, they’re happy to take that in, open to that, to benefit from that , welcome to practice that. For others who wish to live a more silent life, to not have to choose what to listen to and what not to listen to, like, kind of completely, I can also understand.

[00:07:35] Brother Duc Pho: I have periods in my monastic life where I’m a bit involved with music too much, but I feel I need more silence. Music can come up at any time and bring up memories. Sometimes in our monastery, meditating on one of the hills the neighbours or workers have music on, it’s so hard to block it out even if it’s another language I cannot understand, but the melody, like my brain starts to follow right-away.

[00:08:01] Brother Duc Pho: That can be a distraction. Over the past years as a monastic, I’ve been replacing more and more music from the past with meditation music. Sometimes we take songs from the past and change the lyrics.

[00:08:14] Brother Duc Pho: The main thing when we practice mindfulness and meditation is to be continuous aware of what is going on in our mind. As musicians, we have habits from the past, like when I play music, it should be beautiful and get obsessed over that. So that’s another thing to take care of and to remember that the purpose is to practice and offer the Dharma to people. In Singapore and in a big city like this, probably at the same time, there are at least 20 other concerts.

[00:08:40] Brother Duc Pho: The musicians, they can play better than us. We offer our practice and offer the transmission we received from the Buddha and our teacher, in the songs. In Buddhism we speak of the three complexes, superiority complex, inferiority complex, equality complex. Superiority complex would be, “Oh, I’m so special to be on stage.”

[00:09:03] Brother Duc Pho: It’s very dangerous for a monk because we don’t want to cultivate that kind of mind. It’s not about us. It’s about being with the people and offering our practice. Inferiority complex, at any level of music we play, we might feel that we should be able to do better, maybe because we studied music in the past and, should be at this level. Or maybe because I’m playing an instrument that I just started learning. So, okay, there’s people in the audience who can see that I’m still not so skilled at it. So this feeling, can take care of our practice. Equality complex: “I should have as much time on stage as the other players”. We’re working with all of that as we do this tour.

[00:09:41] Jia Yi: That’s such an interesting concept to break down different states of mind, the sense of self with three types of complex. Could you share some examples of how one can skilfully use music to heal their pain?

[00:09:57] Brother Duc Pho: I have one memory, the reading of the poetry of our teacher, the late Thich Nhat Hanh, and also play different piece of music. Some are just instrumental classical piece. Some are poems put to music. One evening like that in our monastery in Germany, called the European Institute of Applied Buddhism.

[00:10:18] Brother Duc Pho: And actually that monastery is housed in a building where during the Second World War, the Nazis took over that building, which was a hospital for handicapped people. So there’s a lot of suffering in that. And for a long time, nobody wants to use it, until our teacher said, that will be the building for our monastery in Germany.

[00:10:38] Brother Duc Pho: And then the Sangha moved in. I’ve done a lot of ceremonies and chanting to transform that suffering. So just being there together after 10 years and celebrating the 10 year anniversary. At the time I was a participant, just sitting in meditation throughout the evening and it was a really deep experience where I could feel very clearly the aspiration of my teacher to open a monastery in that place.

[00:11:03] Brother Duc Pho: And where I also, you know, as I’m mostly from the Netherlands, so that part of the history of Europe is also in me and my ancestors. I also make a personal determination to when the time is right to go there and contribute.

[00:11:15] Brother Duc Pho: One song that speaks to this is, ‘Hello, hello, something in me, I am aware that you are there, I’m sure you’ve got a good reason to be. Hello, hello, something in me, I am aware that you are in there, And I’m going to keep you company.’ To me, what the song speaks about is that, we might have feelings come up, like painful feelings to a breakup or otherwise feelings of separation. And sometimes we’re very quick to say, ‘ I feel like this because this happened and that person did that.’ The practice invites me to just be aware of the feeling as it is in my body and try to not push it away.

[00:12:07] Brother Duc Pho: Because with the tendency of my mind, I might always want to run away from feelings. So to use my breathing to be with that feeling, I can really be there for it in that way, really be there for myself. We know that in life there will be suffering, there will be difficult feelings, but we can learn how to be with and take care of.

[00:12:31] Brother Duc Pho: And, of course, at some point we look into what it is and where it comes from, but if we’re too quick with giving it a label, maybe we don’t see the full picture. And it’s just another way to kind of, okay, have my smart analysis, and then it’s gone. So this feeling comes up, if I look into it, I can learn something from it. And that is kind of the transformation and the growth we have in our practice, when we can be with difficult sensations.

[00:13:05] Brother Duc Pho: That’s been a helpful practice. And this song is actually written by a lady teacher in our tradition, and that’s from my home country. But now it’s on and practiced by many people around the world.

[00:13:17] Jia Yi: Really beautiful. Do you have any final advice or thoughts for individuals on their journey to practice mindfulness?

[00:13:26] Brother Duc Pho: The practice of Buddhism and meditation doesn’t have to be too serious. We talk a lot about suffering and about transforming suffering. And of course, this is the important work we want to do because we want liberation. But we need enough energy and enough joy to face difficulties in our own life and in society.

[00:13:52] Brother Duc Pho: Music can play a big role to sustain our mindfulness practice. Whether you’re learning new instruments or learning to sing or studying your mindful songs, you need joy to sustain that effort. Just play, enjoy and keep checking in with your own mind. Like what is going into my mind and my feeling in my body while I’m singing listening to this, while I’m playing, your body will tell you if you’re on the right path and you need to adjust.

[00:14:24] Brother Duc Pho: Many artists are doing this already. So if you go online, like Plum Village does many songs on YouTube, Spotify Yeah, actually, I think in Asia, there’s different Buddhist traditions. There are many groups that are applying music, so find the right examples. I connect with friends who have the same aspiration to do it together.

[00:14:50] Brother Duc Pho: Music is a strong power to sustain our practice. We need Sangha, a community. Music and singing is a great way to bring people together. We harmonise the different voices and the different bodies and minds. Remember we have our life in the city, we come from different corners, different things on our mind, but when we sing the same song, come together, it gives us the energy to flow and support each other.

[00:15:12] Jia Yi: Music can be skilfully used as a form of mindfulness, with wholesome lyrics to help us bring our awareness to the present moment address feelings of pain and be more accepting of it, and perhaps to even use it as a way to learn from our feelings. Mindful music can help build faith in the Triple Gem and bring more joy in our daily life. Till the next episode, may you stay wise and happy.



Resources


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Three Takeaways from My Wat Pah Subthawee Retreat with Luang Por Ganha

Three Takeaways from My Wat Pah Subthawee Retreat with Luang Por Ganha

TL;DR: Yi Khoon goes on retreat at Wat Pah Subthawee, Luang Por Ganha’s monastery. Learning from Luang Por**, he realises the importance of (1) letting go of our likes, dislikes and fixed views, for attachment to these brings suffering. To do so is (2) to be mindful; to perceive the arising of sensations and their fading away without clinging to them. He realises he should also strive to be (3) happy — both at work, and outside of it.

Author’s Note: This article shares my takeaways from a nine-day self-retreat at the monastery where Luang Por Ganha resides (Wat Pah Subthawee). The teachings referenced were given by Luang Por Ganha in Thai, translated by a volunteer or Ajahn* Tillo (Luang Por Ganha’s attendant, a German monk) during the morning audience addressing both laypeople and monastics.

“Losing your sense of self”

Three Takeaways from My Wat Pah Subthawee Retreat with Luang Por Ganha
Temple Entrance

This was a point that was repeated almost daily in Luang Por’s audience. What does “sense of self” mean? And what does “losing” mean? 

For that I consulted Ajahn Tillo and he mentioned that “sense of self ” meant one’s “likes and dislikes”. Likes and dislikes towards what? To get a clearer picture I referred to SN 22.59 

Form (… feelings, perceptions, saṅkhārā (volitional formations), consciousness)is not-self …
“Is feeling permanent or impermanent?” …
“Impermanent, sir.”

“But if it’s impermanent, is it suffering or happiness?”
“Suffering, sir.” 

“But if it’s impermanent, suffering, and perishable, is it fit to be regarded thus: ‘This is mine, I am this, this is my self’? 

SN22.59 Anattalakkhaṇasutta (The characteristics of not-self)

Matching up the sutta and the comment from Ajahn Tillo, I understand Luang Por asking us to drop our preferences for the aggregates and our attachment to forms, feelings, thoughts, and perceptions of things. 

Why did Luang Por stress this? 

I think it’s because we are always drifting between likes and dislikes, and holding onto fixed views about things. But the world is impermanent and constantly changing. 

So having a fixed view (“I must have the chicken rice I like!”) means that the day your favourite thing is gone, there will be dukkha (Pali: suffering/dissatisfaction), which is the Second Noble Truth: craving/attachment leads to suffering.

The way out of dukkha is to drop our likes and dislikes and be okay with the world as it is. If the chicken rice store is open, there is nice chicken rice to eat. If the chicken rice store is closed for good, it’s okay, I can eat something else.

Dropping our preferences is easier said than done. So how do we do it? The other two points share more on how we can do that.

“Mindfulness in all four postures and not just on the cushion.”

The second point that Luang Por stressed was to have mindfulness in all four postures (standing, walking, sitting, and lying down; i.e. mindfulness in all our everyday activities) with Sati (Pali: mindfulness) and Sampajañña (Pali: clear comprehension).

Having mindfulness and clear comprehension of …?

Having mindfulness and clear comprehension of sense contact (the formation of sensations through the meeting of our sensory organs and external phenomena) and the impermanence of the sensations. 

As we go about our daily lives — seeing, hearing, tasting, smelling, touching and thinking — we have many instances of sense contact. From this, our likes and dislikes about the sensations that arise are triggered based on our past conditioning. 

Luang Por reminds us to go about our lives being mindful (e.g. using the breath as a meditation object), see that we have sense contact (I see something), and see the sense objects fade away (I see something, and it’s gone).

To appreciate this, we should see the results of not following this teaching. We see a food item, recognize that it is something we like, and we decide to eat it. When the food is finished, we lament that there’s not enough, and greed arises. When we see food that we dislike, aversion to the food arises, and we have negative feelings. Both likes and dislikes are triggered by the sight of food. 

So instead of getting attached, we should be aware that we have a sense experience (sight/smell etc.), be aware of the experience, and see the experience fade, while not getting attached to it.

Returning to the teaching about mindfulness in all four postures, Luang Por mentioned to a group of Korean monastics that they should be like normal people and walk around the monastery looking straight instead of looking at the floor. 

I found this to be a cute example which meant that even monastics should go about their daily lives like laypeople (with sense restraint). Instead of looking at the floor, rejecting all sense contact, the Korean monastic should have sense contact and see sense contact fade as part of their training. 

Note: This is my personal interpretation of the situation. Any misinterpretations are regretted.

“Learn to be happy at work and at home”

The third takeaway was a piece of advice directly given to me by Luang Por. I realise that as I go about daily life, I tend to separate work life and daily life

I would tell myself to bear the suffering or stresses of work to get a paycheck. Then I will relax after work and be happy.

But upon reflection, since work takes up a large part of my life, I should be enjoying my work on top of my personal life. I mean — I can die at work, and so I should die happy. 

Three Takeaways from My Wat Pah Subthawee Retreat with Luang Por Ganha
Lake in the monastery

But work is stressful, right? Stress comes from wanting a certain outcome. So, I should learn to manage the conditions and hope to deliver the work successfully (if the outcome is not what was expected, I should exercise right speech to deliver the negative news to my boss peacefully hehe). 

Gratitude to the lay volunteers and retreatants

My self-retreat at Luang Por Ganha’s monastery was hassle-free, and I was very well taken care of even though it was my first time there. This is only made possible due to the resolute lay volunteers and monastics at the monastery who were so welcoming and pleasant to be around. 

The volunteers went through their respective duties: from carrying out administrative activities, cooking, cleaning, and arranging the monastery selflessly and tirelessly. 

They truly practise the teachings of Luang Por in their acts of service, putting aside their sense of self and their preferences to serve others even though they are tired. 

As a fellow volunteer at Dhamma groups in Singapore, I see the efforts of the volunteers and have a deep appreciation that they can run such a big monastery full of joy and without any stress. 

Footnote:

* Ajahn: meaning “one who teaches” in Thai, used to address Buddhist monks who have kept their precepts unbroken for a period of ten years;  

** Luang Por: meaning “venerable father” in Thai, used as a title for respected senior Buddhist monastics, signifies an Ajahn of acknowledged seniority in Thai Buddhism.


Wise steps:

  1. The first is a tip from Luang Por and I’ll steal it: Have periods of mindfulness during work to reset yourself. Do short sessions of breath meditations throughout your working hours to calm yourself down. 
  2. Know your preferences, likes and dislikes. If you know that you like or dislike certain foods, become mindful before you start eating that food. So, you don’t get distracted by your preferences. But please still enjoy your food and experiences, just don’t get attached. 
  3. Pay Luang Por Ganha a visit and learn from him directly.
Ep 52: Breaking Free From Anger ft. Sylvia Bay

Ep 52: Breaking Free From Anger ft. Sylvia Bay

Summary

In this episode of Handful of Leaves, Sister Sylvia Bay addresses the journey of overcoming anger through Buddhist teachings and mindfulness practices. It emphasises the importance of contentment, acceptance, and the Buddhist concept of Anattā, or non-self, which challenges the notion that we have complete control over our emotions and behaviours. By embracing love and compassion consistently, one can begin to alter negative mental habits and foster a more peaceful mindset. The discussion highlights a three-step approach: avoiding harm, doing good, and purifying the mind.

About the Speaker

Sylvia Bay has been dedicated to the study and practice of Buddha’s teaching since 1992. She graduated with a B.A. (Hons) First Class, in Buddhist Studies, from the Buddhist and Pali University of Sri Lanka in 2000 and joined the teaching staff of the Buddhist and Pali College (Singapore) in 2001. Since 2002, Sylvia has also been a regular speaker on Buddhist doctrine, Buddhist history, and the practical application of the Buddha’s teachings in daily life, at the invitation of various Buddhist organisations in Singapore. She published her first book in May 2014: the 1st volume of a 2-part series on the life of the Buddha which is titled, “Between The Lines: An Analytical Appreciation of Buddha’s Life”. Volume 2 was launched on Vesak day of year 2015. Sylvia also holds a B.Soc.Sci (Hons) from NUS and a Masters in International Public Policy (M.I.P.P) from School of Advanced International Studies (SAIS), Johns Hopkins.

Key Takeaways

Acceptance of Non-Self

Understanding Anattā, or the non-self, helps to release the illusion of complete control over emotions and fosters acceptance of natural, instinctual responses.

Three-Step Path to Peace

Following Buddha’s guidance of “avoid evil, do good, purify mind” lays a structured foundation for breaking the anger cycle by replacing negativity with positivity and compassion.

Consistency in Compassion

Regularly practicing kindness, even without immediate emotional response, gradually rewires the brain toward spontaneous compassion, transforming anger into a more loving outlook.

Transcript

Full transcript

[00:00:00] Sylvia Bay: In our practice, we need to learn, because it’s not a habit. We need to learn contentment, acceptance. When we are disappointed with ourselves, we say that we’re not nice because we do all these things.

[00:00:20] In a way, we are not realising Anattā. Anattā means you are conditional arising. The average person assumes that he can make things happen. He can decide. He has will. He will shape things.

[00:00:35] It’s will, you will. You will it and you do it. Therefore you’ve got to live by it. Humans are very complex. There is this imagination that you have will, but actually you’re being driven by defilements. You’re being driven by wholesome mental states. Or rather you’re cuddled, you’re cocooned in wholesome mental states. Or you feel driven, you feel helpless.

[00:01:02] I don’t get angry, but that happens. I don’t want to get jealous, but it happens. I didn’t want to kill this guy, but he makes me so angry. It happens. Then you see, yeah, you have no will. You didn’t exercise your will. You are not a good person. You are mean. So we judged this guy, but the pain, the instincts buried in here is so instinctive.

[00:01:22] So the first thing you have to do, that’s what the Buddha say, in a three step, avoid evil, do good, purify mind. It goes in that order. The first thing is you learn to overcome your negativities. And you overcome it by consistently and constantly doing what he tells you is beneficial and helpful.

[00:01:45] You want to break the anger habit, you have to constantly give love.

[00:01:52] So when anger is already like (bubbling), I embrace you (anger). When you say, “I wish you well, may you be well and happy, there’s no feeling because the anger is so strong, but you don’t get into it. Constantly “I wish you well, I wish you well”. At some point the mind gets it. You’re wishing people well, cannot be so rude.

[00:02:13] Eventually over time, it becomes Metta. It becomes very spontaneous. How long did it take to get you here? The wiring needs to change, you know?

Special thanks to our sponsors:

Buddhist Youth Network, Lim Soon Kiat, Alvin Chan, Tan Key Seng, Soh Hwee Hoon, Geraldine Tay, Venerable You Guang, Wilson Ng, Diga, Joyce, Tan Jia Yee, Joanne, Suñña, Shuo Mei, Arif, Bernice, Wee Teck, Andrew Yam, Kan Rong Hui, Wei Li Quek, Shirley Shen, Ezra, Joanne Chan, Hsien Li Siaw, Gillian Ang, Wang Shiow Mei, Ong Chye Chye, Melvin, Yoke Kuen

Editor and transcriber of this episode:

Bernice Bay, Eng Yean Khai, Tan Si Jing, Susara Ng

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The Night “Guan Yin Bodhisattva” Came to Steal my Mind

The Night “Guan Yin Bodhisattva” Came to Steal my Mind

TLDR: A group of Buddhist practitioners at a retreat return from a Dhamma talk to find that their belongings have been stolen by burglar(s). The author reflects on a similar occurrence depicted in a Chán story, and realises that although her material possessions were taken away by the burglar, the stillness and peace of her mind need not go with them.

Editor’s note: This article was originally published on For You Information titled “‘Guan Yin Bodhisattva’ Has Come To Steal Our Minds” and was further edited in consultation with the author.

I once read the following in a book: Chán (Zen)Master Ryōkan lived a very simple life in a little hut at the foot of a mountain. One evening, a burglar broke into the hut. While the burglar was in the process of stealing the impoverished monk’s few possessions, Master Ryōkan returned. In his haste to leave, the thief left behind a cushion. Master Ryōkan then grabbed the cushion and ran after the thief to give it to him.

The burglary prompted Master Ryōkan to compose the short haiku (a form of Japanese poetry) below: 

The thief left it behind: 

the moon 

at my window. 

What was it that “the thief left behind”, you might ask? 

It was the one great treasure that the impoverished monk possessed. In this haiku, the moon is a metaphor representing enlightened awareness: the one great treasure that the thief could not steal from Master Ryōkan. 

The Night "Guan Yin Bodhisattva" Came to Steal my Mind

A Chán Buddhist Talk & a Burglary

At this point, I am reminded of an incident that happened many years ago when I was still a laywoman. I was attending a seven-day Chán Buddhist retreat. On one of the evenings, we had to leave the retreat centre to attend a public Chán Buddhist talk held by a visiting Chán Master from abroad. 

A chartered bus provided transport to and fro, so we were told to leave all our belongings behind in the centre, as it would be locked up. Can you guess what happened next?

We came back later that night, all feeling very “enlightened” after listening to the talk. To our utmost shock, lo and behold, the centre was broken into! Our belongings were scattered all over the floor. There was even a chopper on the floor which presumably was used to pry open the donation box at the centre!

Everything in my wallet — including my money, identity card, ATM card, and credit cards — was all gone! 

My favourite mala beads (a loop of prayer beads used for recitations) that I had been using for many years was also nowhere to be found. The thought that my mala — something so sacred to me — was now in the hands of some burglar really irked me. But wasn’t I supposed to be practising the Dhamma, learning to let go and flow with the circumstances that life presented? 

Some retreatants were so upset that they packed up and left immediately, even though the seven-day retreat had not yet ended. The police were called in to conduct the investigations. After the police left, the Chán Buddhist teacher-in-charge of the retreat said to us, “‘Guan Yin Bodhisattva’ has come to steal your minds.” 

Wow, what a real-life kōan!  

(Editor’s Note: A kōan is often a case, statement or story, used in Chán Buddhism towards gaining an insight into one’s practice.)

As I turned in for the night, although there was still a small part of me which felt “intruded” upon and slightly uncomfortable, overall, I could still feel a sense of calmness. I could hear myself saying the following, “Thank you, ‘Burglar Bodhisattva(s)’. I did not let you steal my mind…”

The Night "Guan Yin Bodhisattva" Came to Steal my Mind

Wise Steps:

  • Keep a still, peaceful mind amidst adverse circumstances, even when they happen to you.
  • Material possessions come and go, but a peaceful, cultivated mind is a great treasure to possess.